Ceremonies of Reparation: Ceremony #5
Ceremonies of Reparation
For those interested in the background of these
ceremonies, please refer to the September 8, 2021 blog entry.
Ceremony #5, Jan. 2, 2022
BACKGROUND
It was the first time living directly next to the
ocean. We had quickly vacated a previous
temporary location and were seriously considering borrowing considerable
amounts of money to purchase a llama farm in Quebec (which was incredibly
affordable compared to BC prices).
However, the sellers had presented inaccurate farm-income numbers (which
were corrected by their accountant) making a purchase less tempting given the
discrepancy. And negotiating a seasonal child-care
schedule was proving difficult, so we let the potential farm go. However, we were unhoused once again for a
few weeks, and quickly eating through borrowed money at an Air B&B. We had sold our beloved yurt (as finding
land-space for it was becoming more and more difficult), given away our beloved
farm-animal helpers, and were generally feeling in a tight-spot.
We ended up purchasing an older RV – at least the house
could move with us – and signed a lease at Cherry Pt Marina. The living circumstances were less than ideal
– no land to farm, or even garden, no privacy (side-by-side RV’s and trailers),
and extremely tiny-home living for 3 people (and a cat!). Not to speak of having to learn A to Z about
RV living in a matter of minutes. My husband applied to job after job with no
success. It was a difficult winter. We
struggled.
I so missed access to trees and forest and a place for
ceremony. However, since we were there
for at least the winter, I figured I would make friends with the ocean. I discovered there was a small beach at the
end of the marina that I could easily walk to daily, and in fact made it my
refuge several times a day. I foraged
for stones, shells, and bones in the washed-up debris and material each
day. It became a walking meditation – to
observe the tides with the movements of the moon (something I did not “know”
with my mind, but began to understand through direct relationship), to observe
the constantly changing shoreline, and everything else that came and went with
the waves. At the end of the little
beach, next to a large fallen cedar tree that defined the “edge” of this part of
the beach, was a tree whose roots were in a hillside, whose lower trunk was
resting on the beach, and whose branches extended upward from the curve of the
rest of the trunk. During high tide, her
lower trunk was lapped by the ocean waves.
During low tide, her branches extended over a good portion of the
beach. I called her the Valkyrie Tree,
and then weeks later, the Selkie Tree.
At night, through wind, rain, snow, or clear skies, I
would walk out to the beach, greet the heron and otter who fished there
nightly, greet the starfish that sometimes appeared in shallow waters, look
amongst the beach treasures, get sprayed by the spitting worms buried in the
sand, and – if it was lowest tide and full moon – take long walks (at least 1 –
2 kms) on the exposed ocean bed toward Hwts'ahwum (Cherry Point Beach), exploring coves and
overhanging trees and massive logs in the darkness. I felt peace.
And, regardless of low or high tide, I would pray nightly
with the tree. In return, Valkyrie-Selkie
began to protect and teach me. I decided
she would be my place of ceremony when the tides were low enough to sit on the
sand next to her. Many people had fires
on the beach. The ceremony spot was
farther away than the usually-used fire-pit, so I figured it would be both safe
and private. I was wrong, at least on
one account. On the appointed ceremony
night, I lit a small Prayer Fire in my metal “cauldron” (a cast-iron cooking
pot) which sat upon stones and sand. It
was a simple ceremony, and as I came to the final prayers, I heard someone yell
out to me from the marina, some distance away.
“Hey, you better be careful, I’m gonna call the fire-station!!!” I
called back that the fire was safely contained in a metal pot.. But my nervous
system was put on high-alert, and it took considerable energy to ground and
come back to complete the Fire.
My prayers with the Tree became a mix of prayer and
envisioning work. One night, after I
completed prayers, I made a physical representation of the land I dreamed of
stewarding and living on next to its base.
I used shells, stones and sticks to make a crude house, barn, sheds,
ceremony firepit, trees, and so on. When
it was complete, I lit obkuryuvannya (herbs for smoke), offered prayers and
thanks to ancestors, the Tree, Spirit, and all helpers. When it was done, I felt so good! I knew that however the water would alter it
or wash it away would be perfect – because the next day, I could re-dream,
re-create and transform…
An excerpt from my journal:
Dec 16, 2019
I am at Valkyrie Tree. I look up with headlamp on to see her
branches. They appear dappled with
lichen as if the bark is the skin of a leopard-seal. She enfolds me in her branches. On the ground I see a large, heavy fallen log
– perhaps 20 feet long – carried to just in front of the small rock boulders
surrounding the Valkyrie’s base – deposited by waters whose power is clearly
deceptive. We do not get large waves
here – small lapping waves, but nothing that I have observed that has “force.”
Yet, it is so very apparent that volumes of water flow in and out with the
tides. From where I currently stand,
next to the tree, water at high tide would be at my calves, and 5 feet further
in front of me, water would be at my waist, and yet another 5 feet, it would
sit level with my shoulders or head.
And, where the waters-edge is now at low tide, would be 10 feet deep (or
more) at high tide.
And so, along with the log, a
short plank (3 feet long and 4 inches wide) was deposited like a ramp. The lower end of the ramp is on the sand,
directly in the centre of what had been my physical dream-land representation
last night. There is no remnant nor
trace remaining of the design. The upper
end of the ramp rests on one of the small rock boulders.
I light obkuryuvannya, give
thanks to the Valkyrie Tree, to the waters, and to the ancestors. I pray that those whom I work with be
supported in their healing. Then I ask
Valkyrie Tree, “What is the meaning of this log and plank? Are they a ‘bad omen’, or a sign or message?”
She replied, “They are a gift
from the Water. She has received your
vision and prayer, and these are here as proof…
You did ask to steward trees and forest.
She has brought you a log.”
“I do not understand the plank,”
I state (clearly oblivious to Spirit’s sense of humor).
“Do not worry,” she replied,
“its message will become clear. Just
accept and re-make.”
And so I made a new design,
added and shifted a few elements, was thankful for the evolving fluidity, and
then thanked Water and Tree again.
I ask Valkyrie, “Please hear my
prayer, support this vision. I do not
know how it will come…”
“Do not worry, child. It will come, it must. Just continue to pray, hold the vision,
trust.”
My mind turns to Vorona Molfar. It
has been a long time since I have worked with him. [Translation: Crow
Molfar. Molfar/ Mol’farka is a term for
the medicine-people of the Carpathian Mountains and sub-Carpathian plateaus
where my Ukrainian grandfather was born.
Vorona – crow – is one of the “totems” of the pre-Christian clans and
tribes of that region. Vorona Molfar is
best described as an ancestor entity who first made himself known to me in a
series of encounters in a forest on Tsartlip territory in 2012.]
And so, I reach out from my
heart and call to him. I do not know if
he hears me. I turn and walk a few steps
away.
Valkyrie calls out, “Come child,
you are not complete. Connect with me.”
So, I turn and walk back, place
a hand on her trunk, and close my eyes to breathe. No images emerge, yet I feel a deeper
connection forming.
Then, to my left, near the
water, I sense a Being – a dark shape, male.
Valkyrie spoke, “He is not for
you to work with. He is water-borne, you
are not. He is curious, and if you were
to interact now, he would be harmful.
Not from intent, but because you do not know enough, and you are not
water-borne.” I felt the presence of
Vorona Molfar in her voice as she spoke and knew he was present as well.
“Stay within the reaches of my
branches, and I will protect you,” she assured.
I could sense and see, out of
the corner of my eye, the Being’s shape.
I walked, staying within Valkyrie’s branch-reach, away from my
prayer-spot. I grow tired and want to go
to sleep… Suddenly my right leg is very
cold and I see a shadow step very close, just outside of the edge of Valkyrie’s
branches.
Vorona Molfar calls out, “Do not
walk that way along the beach when you sense or see him. Only go when he is not present or near.”
Valkyrie tells me to walk along
the upper beach area to get home but do not look back at her, as the Being is
there – at least, not until I am far away, which is what I do. I only turn back when I am ready to walk
toward the exit off the beach. My leg
remains cold for a long time.
Dec. 18, 2019
I work on Book 1 [for those who
may not be aware, I am writing 2 books at the moment...]. Words from Ma both soothe me and remind me of
my tasks. I feel sad for the loss of time
and adventure with her. For the loss of
freedom to explore her forests, for the loss of walking in the life- and
soul-giving wild and ancient places.
I go outside to make evening
prayers. As the RV door opens, I hear an
unusual sound – crashing waves upon the shore.
As I walk toward the beach, it gently rains. However, the usually calm water is active,
almost angry. The sound is loud, and the
water is much higher than I have seen it the past few weeks. I wonder if the tide is coming in and if I will
have enough time to pray before being engulfed in waves. Still, there is about 10 feet of beach
between the Valkyrie Tree and the water’s edge.
No log – all signs of the fallen
tree and little plank are gone – not a trace to be found. Nor of the dream-land designs.
I touch Valkyrie, light
obkuryuvannya, give thanks and make prayers.
The waves crash closer. I can
sense the Being from the other evening lurking in the shadowy waters.
“He still watches you,” Valkyrie
says.
“Mother, keep me safe. I trust you.
Are the waters rising? The prayer
design in the sand… I have not yet re-made it,” I say.
“Quick, child, just draw in the
sand – there is little time,” she offers.
I grab a stick and draw an
outline, designate stones and scrawls as forest, house, studio, ceremony
Fire-pit, and the resources and means to support ourselves in this place. “Thank you,” I speak to those who would
hear. The water is now 8 feet away, yet
the sound vibrates through me – I can feel the intensity, and… I can feel him.
“Go now,” Valkyrie says. “Stay safe and high up on the shore.” I am
uncertain if she is cautioning about the water, or about him, or both. I do not pause to ask – just quickly walk
away. As I reach the exit path to the
beach, I pause and look back at the waters.
Truly, they are wild this night.
My longing for time in the forest brought me to explore a
small path located up the hill from the marina.
The forest was not particularly large – just a relatively small swath of
trees that were promoted as part of a future community “park” for the adjacent
lots that were being developed. Yet,
they were trees, and satisfied my need for exploration and communing time.
I continued to pray nightly and adorned the Valkyrie Tree
with prayer ties (strips of cloth).
Then, a few months into our stay, we were given surprising news. The CVRD had ordered the marina to terminate
the leases of the majority of residents.
The marina had wrongfully allowed too many trailers and RV’s to reside
in the location. We were to leave within
2 months.
We eventually found a new location to move – another
temporary spot which has its own story for a future land reparation ceremony.
OFFERINGS
In preparation for the ceremony, I made a Motanka
(traditional sacred doll) as well as a Pysanka (traditional sacred egg). For more detailed information about these traditions,
you can refer to the following links:
https://artofthelandancestors.blogspot.com/2021/12/the-art-and-making-of-motanky.html
https://artofthelandancestors.blogspot.com/2021/12/bone-amulets-and-drum.html
https://listenthelandspeaks.blogspot.com/2021/09/ceremonies-of-reparation-background-i.html
The Motanka has many strips of cloth around her neck. It
is symbolic of the strips of cloth hung from the branches of the Valkyrie Tree –
a way of venerating a tree as sacred during/ for ceremony, as well as offering
prayers and wishes to be carried by the winds to Spirit. Hanging strips of cloth and binding with
prayer has become an important way to honour my long-ago ancestors along both
my mother and father lines. The Motanka,
who is shaped as a solar cross (signifying the meeting of the realms, as well
as the meeting of the cosmic and earth forces), wearing the cloth strips around
her head, neck, and shoulders, was an indication of the upper realm and cosmic
forces meeting the middle/ earthly realm (outstretched arms) in a sacred and
prayerful manner. I chose the colours to
represent the waters (blue and deep teal), sunsets and beaches (orange) – all of
which were so prominent in my experience there.
The Pysanka was drawn with two distinct sides. The spiral and waves it contains represents the movements of time, seasons, and cycles of nature (moon and sun), as well as the perpetual movement of the tides. The opposite side depicts the Valkyrie Tree with her hanging cloth strips and the ocean that laps at her base.
CEREMONY
Dark moon fell on the first Sunday of 2022 – January 2nd. I anticipated that the ceremony would be
straightforward. The roads were heavily
iced, which is a big deal for us here in mid-Vancouver Island (and I know most
of those living outside of Vancouver Island are laughing at this point!). I had traversed the road that leads to the
marina during winter of 2019-2020. It is
treacherous and one can easily get stuck or slide into ditches. So, I parked at the top of the road, and
decided to walk the 15 minutes to the marina.
It was clear, crisp and yet mild outside. The walk took me past the wooded trail, and
as the land that was being developed came into view, I saw a real-estate board
with 4 properties for sale.
I continued to walk though I heard a small whisper somewhere
inside that ceremony would (or should?) be in the woods.
As I descended the steep hill that took me toward the
marina, the sight that greeted me was one of deterioration. There had been no upgrades, nor efforts put
into upkeep at the sight. In fact, the
perimeter of the wooden docks was blocked off by orange fencing, which also
blocked the entrance to the beach. The
tide was also high, which meant I couldn’t traverse under the docks to get to
the Valkyrie Tree (which would have been possible during low tide). I sent a heart greeting to her from a distance
and traversed back up the hill toward the wooded path.
Once I reached the head of the trail, I stopped in my
tracks. My heart fell. The forest had been
devastated and destroyed. I felt perplexed. The photo on the sales-board depicted the
forest before it was cut down. The
signage when I lived at the marina had indicated that the trail would be public
and would lead through the small forest, presumably as a place of respite. The new signage still referred to this as a
trail. I could not fathom why the
majority the trees now lay unceremoniously on the ground. My only thought is that they were cut to
provide a feeble view of the ocean.
I walked with heavy heart. A few trees remained. I waited until a tree called me and I gently
placed my hands upon it. Asking the tree
to accept the ceremonial offerings, I knew they served multiple purposes
now. First, to extend gratitude to these
lands – here on the trail, and also for the beach and Valkyrie Tree below (the
little forest was up a steep cliff, just above the beach) – and to the peoples
and ancestors of these lands. Second, as
an honouring of and apology to the trees and forest that were destroyed.
The tree agreed to be recipient of the offerings. And, in response to my heavy heart, she said,
“This is a small loss. This is a small
loss… It is small compared to all of the
losses over time across these lands.”
That statement was not intended to be reassuring. Rather, it simply amplified the significance
of the loss – one among so many losses.
An accumulation of losses.
I buried the Pysanka at the base of the front of the tree (closest to the walking path), and then buried the Motanka at the base of the backside of the tree (furthest from the walking path). When I was complete, I picked up a small linen string that I had cut and brought with me. I had not known why the string was important – I just knew it needed to accompany me this day. Tying it to a small broken branch, I asked it carry personal prayers… The same prayers I had asked each night at the beach – to help us find land we belong to, land that we can co-steward and be embraced by.
As I turned to leave, I began to note all of the English
Ivy that covered standing and fallen trees alike. It was a further statement of colonialism coating
the land… Coat the trees, strangle the
trees, take over the land, and then cut it all down (including the tools of
colonization – in this case, the Ivy), or be overrun by those same tools/
forces, leading to demise of everything...
Walking out of the forest and back toward the vehicle, I passed
a vine of the Mother – Ma Honeysuckle.
For all of the heaviness of the ceremony, Ma was a lovely reminder to
integrate the teachings, remember my commitments, and remain in clear and open heart-seeing. The ceremony was complete.
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